Set Subject “High-Key“
The term high-key refers to an image flooded with light, thus virtually eliminating shadows but without overexposing the image, creating a soft flatter form of lighting. The subject and background in High-key portraits are typically white or light colored.
Winners: Digital – ‘Polar Bears’ by Cynthia Watkins, Print – ‘Everlasting Visitors’ by Matt Oliver
(click on any image to view as a slideshow)
Open
Winners: Digital – ‘Blackwood Creek Falls No2’ by Norm Stimson, Print – ‘I Think Its A Fly’ by Will Tainsh
(click on any image to view as a slideshow)
‘And It Rained’ by Cheryl Munzel ‘Bergen At Dusk’ by Esther Andrews ‘Beyond The Trees’ by Coral Symons ‘Bioluminescent Fungi’ by Glynn Murfitt ‘Blackwood Creek Falls No2’ by Norm Stimson ‘Boardwalk On Weeroona’ by Ron Price ‘Ghoul’ by Norm Stimson ‘High And Dry’ by Les Wiles ‘Hoary-Headed Grebe’ by Cynthia Watkins ‘I Think Its A Fly’ by Will Tainsh ‘Into The Mist’ by Matt Oliver ‘Kestral With Lunch’ by Ron Price ‘Ready To Harvest’ by Felicity Johnson ‘Sevilla’ by Pier Vido ‘Square-Tail Kites – Mating’ by Graeme Harvey ‘Sunflower’ by Pauline Moore ‘The Boss’ by Eugene Dopheide ‘Wallaby In The Wildflowers’ by Felicity Johnson ‘Webbing’ by Les Wiles
Monochrome
Winners: Digital – ‘Blade Sharpener In Fes’ by Pier Vido, Print – ‘Barrel Racing’ by Ron Price
(click on any image to view as a slideshow)
‘Barrel Racing’ by Ron Price ‘Bedouin Checking Mail’ by Graeme Harvey ‘Blade Sharpener In Fes’ by Pier Vido ‘Bendigo Night’ by Matt Oliver ‘Bridge To Pump’ by Cynthia Watkins ‘Fishing Sth Africa’ by Eugene Dopheide ‘Kenz’ by Will Tainsh ‘Wire Rims, Arusha’ by Pier Vido
You must log in to post a comment.