{"id":22021,"date":"2024-05-18T12:59:04","date_gmt":"2024-05-18T02:59:04","guid":{"rendered":"https:\/\/www.bendigocameraclub.org.au\/?p=22021"},"modified":"2024-05-18T12:59:06","modified_gmt":"2024-05-18T02:59:06","slug":"2024-march-competition","status":"publish","type":"post","link":"https:\/\/www.bendigocameraclub.org.au\/?p=22021","title":{"rendered":"2024 March Competition"},"content":{"rendered":"\n

Set Subject “From Behind<\/strong><\/strong><\/em>“<\/h2>\n\n\n\n\n\n\n\n
\n

Capture the subject from a unique perspective\u2014focusing on the subject\u2019s rear view. <\/p>\n<\/blockquote>\n\n\n\n

Winners: Digital \u2013 ‘Coming Home No 2’ by Greg McMillan, Print \u2013 ‘Industrial Ballet’ by Brian Bird
(click on any image to view as a slideshow)<\/em><\/p>\n\n\n\n

\n
\"\"
‘A Token Of Affection’ by Peter Legg<\/figcaption><\/figure>\n\n\n\n
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‘Affectionate Bee-Eaters’ by Matt Oliver<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Along The Cobblestone Path’ by Anne Harvey<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Amazed’ by Les Wiles<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Black Swan Cygnet’ by Peter Murrowood<\/figcaption><\/figure>\n\n\n\n
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‘Boys On The Pier’ by Mary Tuohey<\/figcaption><\/figure>\n\n\n\n
\"\"
‘City Bums’ by Coral Symons<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Coming Home No 2’ by Greg McMillan<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Common Loon’ by Cynthia Watkins<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Dinner Time’ by Karyn Wright<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Discoveries’ by Esther Andrews<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Elephant Ears, From Behind’ by Peter Murrowood<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Face To The Barista’ by Eugene Dopheide<\/figcaption><\/figure>\n\n\n\n
\"\"
‘From Behind’ by Jason Archer<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Golden Sunset Cowes Beach’ by Mary Tuohey<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Heading Out’ by Coral Symons<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Hike To Mitchell Falls’ by Graeme Harvey<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Industrial Ballet’ by Brian Bird<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Iridescence At Night’ by Felicity Johnson<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Jumping Away’ by Ron Price<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Kicking Up Dust’ by Christine Kairn<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Landing’ by Greg McMillan<\/figcaption><\/figure>\n\n\n\n
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‘Lesurer National Park WA’ by Allan Davis<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Lion Love’ by Pauline Moore<\/figcaption><\/figure>\n\n\n\n
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‘Love Is Sweet’ by Les Wiles<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Lunch Time’ by Joel Bramley<\/figcaption><\/figure>\n\n\n\n
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‘Molly The Ghost’ by Brian Boyton<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Mum’n’Bub’ by Dave Thomas<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Musk Lorikeet’ by Glynn Murfitt<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Naked Lady’ by Peter Young<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Pathway To The Sky’ by Graeme Harvey<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Rose’ by Peter Young<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Sheepdog’ by Glynn Murfitt<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Shopping Day’ by Karyn Wright<\/figcaption><\/figure>\n\n\n\n
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‘Sunset Stroll’ by Dave Thomas<\/figcaption><\/figure>\n\n\n\n
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‘Twins Suckling’ by Cheryl Munzel<\/figcaption><\/figure>\n\n\n\n
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‘Waiting In Traffic’ by Mark Friswell<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Waiting To Cross’ by Garry Paterson<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Walking Away In Delphi’ by David Chaffe<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Who Is She’ by John Addlem<\/figcaption><\/figure>\n\n\n\n
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‘Who Me?’ by Brian Hinneberg<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Open<\/h2>\n\n\n\n

Winners: Digital \u2013 ‘Mt Terrick Terrick’ by Norm Stimson, Print \u2013 ‘Spiral In The Sky’ by Felicity Johnson
(click on any image to view as a slideshow)<\/em><\/p>\n\n\n\n

\n
\"\"
‘Abandoned’ by Joel Bramley<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Autumn Avenue, Feathertop’ by Matt Oliver<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Birth In Another World’ by Peter Legg<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Brown Falcon’ by Anne Harvey<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Cassowary’ by Cynthia Watkins<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Coffee Beak’ by Les Wiles<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Colour My Wagon’ by Mal Brayshaw<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Contemplation’ by Eugene Dopheide<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Cyclamen’ by Cheryl Munzel<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Dawn At Eppalock’ by Christine Kairn<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Eastern Spinebill’ by Peter Murrowood<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Father And Son’ by Karen Sutherland<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Female Wren’ by Glynn Murfitt<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Five Crosses’ by George Greblo<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Flam Railway’ by Brian Hinneberg<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Follow The Leader’ by Ann-Marie James<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Ghosts In The Moonlight’ by Mal Brayshaw<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Gnarled Survivor’ by Elaine van Dyk<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Going Down’ by John Addlem<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Golden Jazz’ by Garry Paterson<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Golden Pavilion’ by Coral Symons<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Kestrel’ by Karen Sutherland<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Lost In Nafplion’ by David Chaffe<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Mothers Love’ by Pauline Moore<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Mt Terrick Terrick’ by Norm Stimson<\/figcaption><\/figure>\n\n\n\n
\"\"
‘New Holland Honeyeater’ by Dave Thomas<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Not Happy Jan’ by Graeme Harvey<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Painted Honeyeater’ by Ron Price<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Rambling Rose Spray’ by Mary Tuohey<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Roof Repair’ by Brian Boyton<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Simpsons Gap’ by George Greblo<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Spiral In The Sky’ by Felicity Johnson<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Standoff’ by Esther Andrews<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Sunset At Church’ by Karyn Wright<\/figcaption><\/figure>\n\n\n\n
\"\"
‘The Alley Cat’ by Norm Stimson<\/figcaption><\/figure>\n\n\n\n
\"\"
‘The Greeting’ by Elaine van Dyk<\/figcaption><\/figure>\n\n\n\n
\"\"
‘These City Lights’ by Jason Archer<\/figcaption><\/figure>\n\n\n\n
\"\"
‘This Is The Cord’ by Linda Reiss<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Time To Go’ by Brian Bird<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Torrent’ by Mark Friswell<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Waiting For Sunset’ by Joel Bramley<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Williamstown’ by Linda Reiss<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Yorkshire Sunrise’ by Ann-Marie James<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Monochrome<\/h2>\n\n\n\n

Winners: Digital \u2013 ‘Connecting With The Past’ by Peter Legg, Print \u2013 ‘Hidden Falls’ by Greg McMillan
(click on any image to view as a slideshow)<\/em><\/p>\n\n\n\n

\n
\"\"
‘A Rose Within’ by Mal Brayshaw<\/figcaption><\/figure>\n\n\n\n
\"\"
‘African Bull Elephant’ by Elaine van Dyk<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Almost Happy Hour’ by George Greblo<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Broken Buggy’ by Brian Boyton<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Cape Buffalo’ by Eugene Dopheide<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Castlemaine Station’ by Jason Archer<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Connecting With The Past’ by Peter Legg<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Country Lane’ by Brian Hinneberg<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Driving Wheels’ by John Addlem<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Floating’ by Karen Sutherland<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Gates Open Then, It’s On’ by Ron Price<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Handrail’ by Bob Lawrence<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Hidden Falls’ by Greg McMillan<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Hill Street Inverness’ by Cheryl Munzel<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Last Train To Maldon’ by Mark Friswell<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Looking At You’ by Matt Oliver<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Moon Shine’ by Norm Stimson<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Not A Bad Crop’ by Christine Kairn<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Patterned City’ by Linda Reiss<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Ponte Dell’Accademia’ by Garry Paterson<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Port Of Echuca’ by Pauline Moore<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Royal Spoonbill Preening’ by Felicity Johnson<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Snow Cover’ by Cynthia Watkins<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Solitude’ by Brian Bird<\/figcaption><\/figure>\n\n\n\n
\"\"
‘The Ghost Of Melrose Abbey’ by Ann-Marie James<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Three Trees’ by Allan Davis<\/figcaption><\/figure>\n\n\n\n
\"\"
‘Tick Tock’ by Anne Harvey<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

Set Subject “From Behind“<\/p>\n","protected":false},"author":2,"featured_media":22191,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[28],"tags":[],"class_list":["post-22021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-competition"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.bendigocameraclub.org.au\/wp-content\/uploads\/2024\/02\/Connecting-With-The-Past-by-Peter-Legg.jpg","jetpack_shortlink":"https:\/\/wp.me\/p6XlND-5Jb","jetpack-related-posts":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=\/wp\/v2\/posts\/22021"}],"collection":[{"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22021"}],"version-history":[{"count":4,"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=\/wp\/v2\/posts\/22021\/revisions"}],"predecessor-version":[{"id":22312,"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=\/wp\/v2\/posts\/22021\/revisions\/22312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=\/wp\/v2\/media\/22191"}],"wp:attachment":[{"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bendigocameraclub.org.au\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}